Archives

Suspending Disbelief in the Age of Digital Wonders

I cast an eye over the TV in my landlady’s living room. On the screen, a handsome cop in a car radioed his partner back at HQ to let his wife know he’d be late for dinner. ‘That’s rude,’ I mumbled, ‘… text her yourself.’ The camera shot widened and, from the shape of the car, I saw the era predated the mobile phone. My landlady snorted. “OK then,” said I, leaving the rent money on an expectant table. She pointed the remote and turned the volume up as I edged out the door. A good narrative depends on the suspension of disbelief. Authors want readers immersed in their story, caring about the characters as if they were real. Plot details that jar, niggle or provoke disbelieving wisecracks are simply no good.

A Review of Dup Departs: A Time To Go, by Gavin Mills

Embellishing the Jozi Underworld: A cracker of a novel. Dup Departs: A Time To Go sees a likeable, middle-aged, soft but resourceful suburbanite thrown into a maelstrom of drug warfare, police-corruption and murder. With the bank barking at his heels and depressed about the modesty of his achievements as a filmmaker, Dup is ready for a big score. It will be his family’s ticket out of South Africa. When his enigmatic stripper friend, Louanne, introduces him to a shady nightclub boss offering good money to make lame porn, Dup jumps at the chance. But he did not bargain on shady becoming sociopathic.  Dup is swept into a plot populated by seriously menacing hardmen; Ivan Bazkaowzki, a sadistic Polish Don, goons on Harleys, loathsome detectives up to their elbows in dirty money and a Nigerian crime kingpin gone straight (or maybe not). Along the way fists fly, evidence is planted, women are kidnapped and huge shipments of …